Guido Reni was the star painter of the Italian Baroque, one of Europe's most successful artists, sought after by prominent patrons. Whether his subject matter was the Christian heaven or the world of classical mythology, Guido Reni was unmatched in his ability to translate the beauty of the divine into painting, which earned him the name "il divino". Later misunderstood and sidelined, he deserves to be rediscovered. Drawing on new research findings, the catalogue accompanying the exhibition at the Stadel Museum provides insights into his artistic activities, but also his ambiguous personality. Bringing together his fascinating paintings, drawings, and etchings for the first time in more than thirty years, it offers a new perspective on one of the greatest names of Italian art.
The series Mi Sangre by Roj Rodriguez started as a photo documentation of a personal journey to retrace his Mexican heritage and has evolved into a fine art project aimed at highlighting Mexican culture on both sides of the US/Mexico border. It documents everyday aspects of Mexican life, the culture and popular iconography, both as they exist in Mexico and as reimagined by Mexican Americans in the US. With each of the subjects portrayed, Roj Rodriguez engaged in sometimes casual, sometimes insightful conversations. Mi Sangre includes proud and elegant charros, beautiful and skilled escaramuzas, joyful and coy children, wise and innocent elders, vibrant and talented mariachi musicians, loving and welcoming families, and even fine art re-interpretations of Loteria iconography.
The lighthouse on the island of Santa Clara in Donostia / San Sebastian stood empty for many years until Cristina Iglesias transformed it into a breath-taking sculptural work that opened to the public in 2021. Inside the restored lighthouse, visitors look down as water rises up, as if from the sea below, surging through forms cast in bronze to resemble the distinctive geology of the Basque Coast, before pooling and trickling away. Featuring extensive photographs of a journey by boat from the city to the island and into the lighthouse, together with writings by art historians, geologists and scientists, Cristina Iglesias - Hondalea documents a remarkable work realized by one of the world's leading sculptors in the city where she was born.
Spanish artist CRISTINA IGLESIAS (*1956) creates profound spaces of the imagination. Renowned for her sculptures woven, cast or constructed from metal, wood and alabaster, Iglesias also creates outdoor structures and installations using water. Her work can be found in inner cities or remote islands, as a site of pilgrimage for humans or as a habitat for animals.
The general public's image of Mondrian is of a serious man in a suit and tie with a reserved, rather aloof look. It is the same group of some ten photographs that shaped this image over time, although there are around 400 known photographs of the artist and his studios that provide a far more balanced and livelier image of Mondrian.
This gorgeous book is not a biography, but rather a visual and emotional reference work for anyone who wants to immerse themselves in the world of this extraordinarily modern artist. The studios in Amsterdam, Paris, and New York are works of art themselves, as fascinating as the guests in these rooms. There are snapshots showing his private life, taken during journeys or visits, photographs of vernissages and dinners as well as formal portraits that he uses to promote the image of a serious, uncompromising artist. Detailed captions and richly illustrated essays on the significance of photography in the context of Mondrian's work make this book an extraordinary document of his time.
Salt's ionic lattices are one of the central elements of organic life. But even though the extraction of sea salt is one of the oldest forms of human landscaping, we rarely ask where salt comes from and how it is produced. Sea salt production sites are found all over the world, usually located around shallow shorelines. Tom Hegen has explored these magical landscapes from the air and obtained spectacular images in the process. This gorgeously illustrated book shows how the landscape has been shaped by salt mining and how the mining process has created structures that take on an almost painterly, abstract quality in Hegen's photographs. Salt Works is a study of color and geometry, an ode to beauty of the everyday.
Paper, cardboard, plywood, light-decidedly conceptual and materially ephemeral, Tobias Putrih's projects draw on the visionary concepts of architecture and design and utopian ideas of the 20th century avant-gardes. This book traces Putrih's investigations into the heritage of architectural experiments such as the works of Buckminster Fuller and Friedrich Kiesler.
Perceptron is the first comprehensive survey of Putrih's work that oscillates between architecture, sculpture, and science. Through an encyclopedic array of reference materials and critical texts, it examines Putrih's practice in the context of architectural and design history as well as the history of cybernetics, and offers a richly illustrated study of Putrih's modifications of public spaces, experiments with collective form, as well as his immersive temporary environments created out of everyday materials.
This opulently illustrated book presents a selection of magnificent recently built residential properties at exclusive locations in Germany - a showcase of sophisticated designs that combine classic elegance with spacious floor plans, craftsmanship, and noble interiors. Ralf Schmitz stands for uncompromising quality, built for generations. Lasting architecture is created by award-winning practices. A reinterpretation of classicism, the finest materials and hand-crafted details. They produce exceptional projects such as the striking Alexander, a residential building in Berlin-Wilmersdorf, Achenbach an red brick apartment house in Dusseldorf's Zoo district, or the new white corner building with a classic facade at Hamburg's Aussenalster, they stand for subtle luxury and the highest level of technical comfort. Apartments that combine retreat and representation, built for people who appreciate distinct experiences.
On the occasion of its 60-year anniversary, CIMAM, the International Committee for Museums and Collections of Modern Art, its directors, and curators publish Museums from the Inside. From Suzanne Page and Rudi Fuchs, to David Elliott, Toshio Hara, Maria de Corral, Ken Lum to Manolo Borja-Villel and Patricia Phelps de Cisneros, this publication contains more than twenty interviews giving an insider's look at the 60 years in which modern art changed to post-modern art, and the term contemporary art, in turn, began to look almost obsolete.
Following a historical introduction, looking back at fierce debates and controversies, a selection of important texts written since 2005 on decolonization, on Arte Util, and on indigenous art gives insight into more recent fields of research.
Texts by: Tuula Arkio, Zdenka Badovinac, Manuel J. Borja-Villel, Saskia Bos, Tania Bruguera, Maria de Corral, David Elliott, Wesley Enoch, Patrick Flores, Rudi Fuchs, Marc and Josee Gensollen, Olle Granath, Toshio Hara, Geeta Kapur, Marysia Lewandowska, Ken Lum, Elizabeth Ann Macgregor, Bartomeu Mari, Ngahiraka Mason, Ivo Mesquita, Walter Mignolo, Ahmet OEgut, Alfred Pacquement, Suzanne Page, Patricia Phelps de Cisneros, Margit Rowell, Rana Sadik, Donna de Salvo, Patricia Sloane, Slavs and Tatars, Hilke Wagner, Joan Weinstein.
Salt's ionic lattices are one of the central elements of organic life. But even though the extraction of sea salt is one of the oldest forms of human landscaping, we rarely ask where salt comes from and how it is produced. Sea salt production sites are found all over the world, usually located around shallow shorelines. Tom Hegen has explored these magical landscapes from the air and obtained spectacular images in the process. This gorgeously illustrated book shows how the landscape has been shaped by salt mining and how the mining process has created structures that take on an almost painterly, abstract quality in Hegen's photographs. Salt Works is a study of color and geometry, an ode to beauty of the everyday.
Niki de Saint Phalle loved pseudo-orders, which she used to arbitrarily assemble terms and pictograms on a sheet of paper. Under the heading "I Love," for example, the sign of a snake could be found next to the emblem for justice, an orange spot for the corresponding color next to two stars as a symbol for astrology.
Niki de Saint Phalle A-Z takes the same liberty and puts the many facets of Niki de Saint Phalle's work into the order of the alphabet. This logical order is deceptive, though. From A as in AIDS to Z as in Zurich Angel, from B as in Bride to V as in Vanitas, a mosaic of concepts emerges that filters out the various levels of meaning in her manifold oeuvre and playfully engages them in mutual commentary.
Josef Albers' groundbreaking series Homage to the Square comprises roughly two thousand oil paintings. His continuous reflections and refinements for more than 25 years inspired numerous young minimal and conceptual artists in their search for a reduced formal language. This outstanding catalogue explores the secret of Albers' subtle aesthetic and unearths its preconditions: What is the significance of the square? How does his impression of color and its use as a material change during this period?
Featuring studies on paper, archival materials, as well as essays by internationally leading Albers experts, Margit Rowell and Donal Judd, this richly illustrated publication sheds light on the various inspirations that influenced Albers early on in Europe and later in America, and illustrates the lasting impact of his art and thinking.
Breath is more than just air flowing in and out of the body; it is a vehicle of life, of thought, of inspiration. What seems like an unconscious, biological process has manifold social and political dimensions. Accompanying the large-scale exhibition at the Hamburger Kunsthalle, the book brings together 45 artists from 18 countries, who explore different facets of breathing and its representation in the art of the Old Masters to the present. In an interplay with cultural studies, literature and lyrics they create an unconventional and exciting dialogue: from breath as a central biblical metaphor and as an expression of our relationship to the world, to air pollution and respiratory diseases, to racial violence.
Books to Do is not the usual monograph, it's a meta-book about already realized and yet to be realized book projects by Albert Coers in the form of a to-do list. It is a collection of ideas and subjects, a self-documentation, self-stimulation, and a joyfully utopian agenda at the same time. But regardless of whether they are real or fictional, Coers' projects all have one thing in common: they are not only very clever, but also funny conceptual works that approach the topics of language, writing, and books in ever new ways.
Can a sculpture be a river? Can contemporary art unite conflicting systems of belief? Do other species appreciate culture? And can public art revive communities and ecosystems? Cristina Iglesias' horizontal fountains, submerged rooms and tropical mazes bring together language, architecture and botany to create immersive spaces of contemplation. In this publication an international roster of curators, art critics, philosophers, architects and scientists discuss the social and ecological potential of art in urban and rural space.
Jorinde Voigt's new body of work On Reality, created in 2021 and 2022, continues the artist's investigation of using sculptural elements to expand on the medium of drawing. Using coloured paper, Voigt combines her visual vocabulary of drawing, writing and numbering with new techniques: By layering cut out shapes, and dispensing with any trace of drawing by replacing it with the cut of the scalpel, she creates compositions on the threshold between collage and assemblage. By introducing a third dimension to her conceptual works on paper Voigt finds a new way to further develop her notational systems of grids, line networks, and patterns that translate parameters such as distance, speed, or frequency into visual compositions. Featured are also sketch-like works that spontaneously transfer situational experiences into graphic gestures.
Since the mid-1990s, Annette and Caroline Kierulf have practiced what they themselves call "woodcut as cultural critique". Drawing on the medium's rich history as a means of communication and protest, the Norwegian artists strive to revive woodcut as a discursive tool. With subtle humor, the sisters use the visual reductiveness of the low-tech medium to critically reflect on the social, economic, and cultural changes shaping our high-tech societies. Incorporating references to pop culture and folk art, Caroline Kierulf's work explores the often overlooked aspects of everyday life, Annette Kierulf focuses on a feminist reinterpretation of the landscape genre. The publication provides insights into the artists' production and working methods, as well as their longstanding collaboration.
How do cultural institutions and art practices respond to long-standing states of national and international emergency? It is with these questions in mind that Khalil Rabah's artistic practice investigates the future of visual arts production under such conditions. Exploring the relationships between historically sanctioned and experimental exhibition settings, fictional and documentative narratives, and the histories of displacement, his methods not only propose but produce speculative institutions. As the artist's first major monograph, Falling Forward / Works (1997-2025) presents a comprehensive selection of exhibition materials, previously unseen archival documents, and detailed background notes on how Rabah's methods relate to broader themes in his work. The volume also introduces new critical writing from curators, authors, and researchers on the interrelated subjects of anticipatory aesthetics, subterfuge and fugitive acts, mimicry and performativity, knowledge production, archival technologies and, crucially, the politics of humor.
Internationally renowned as one of the most significant and influential sculptors working today, Gormley has long expressed his admiration and interest in the works of German sculptor Wilhelm Lehmbruck for their inwardness, sense of poise and calm, and their reflexive potential. Calling on the Body has been conceived as a dialog between the two artists, showcasing key works created almost a century apart. It includes a selection of works spanning the breadth of Gormley's practice: from his seminal early lead works, to Drift VI, a seemingly weightless bundle of nothing, abandoning mass and dissolving surface, and his more recent Slabwork series that despite its abstraction conveys a sense of vulnerability and exposure. This richly illustrated catalogue illuminates Gormley's working process and his models. A conversation with the artist offers insights into his way of thinking and working as well as the value of sculpture in our society.