Cette première monographie consacrée à l'oeuvre de Karl Lagerfeld (1933-2019) embrasse soixante-cinq années d'une exceptionnelle carrière : chez Chloé et Fendi dans les années 1960 et 1970, puis chez Chanel et pour sa griffe éponyme à partir des années 1980. En référence à La Ligne de beauté, essai théorique du peintre anglais du 18e siècle William Hogarth, cet ouvrage exceptionnel explore les « lignes » droites et serpentines - ainsi que leurs intersections - dans l'oeuvre de Karl Lagerfeld pour mettre en lumière son processus créatif singulier.
A compelling look at the aesthetic and historical significance of Lagerfeld's work-from his elegantly tailored pieces for Chanel to the witty, playful ensembles that came to define the Lagerfeld brand This publication is the first to present an insightful overview of Karl Lagerfeld's (1933-2019) artistry across his extraordinary 65-year career as a fashion designer and creative visionary-from early work for Balmain and Patou in the 1950s and designs for Chloe and Fendi in the 1960s and 1970s, to his celebrated leadership in the 1980s and beyond at Chanel and with his own label. Inspired by the "line of beauty" theorized by the eighteenth-century English painter William Hogarth, this dazzling publication pursues four "lines"-straight, serpentine, satirical, and explosive-as a means of defining Lagerfeld's unique creative process. An introductory text uses these concepts to explore such topics as the masculine-perceived art of tailoring, the traditionally feminine art of dressmaking, Lagerfeld's use of irony and parody, and the way these three modes converge in surprising, disruptive, and innovative ways. Thematic chapters illustrating the dualities in Lagerfeld's work, an illustrated timeline of his career, and reminiscences from the designer's friends and colleagues accompany new photography of 155 garments, as well as Lagerfeld's illustrations, material samples, personal photographs, and drawings, many never before published.
Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule:
The Metropolitan Museum of Art, New York (May 5-July 16, 2023).
Cette publication vibrante donne vie à quatre siècles de vêtements et d'accessoires extraordinaires inspirés par le monde naturel. Sleeping Beauties : Reawakening Fashion explore la relation complexe du vêtement avec le corps à travers les sens, offrant de nouvelles façons de comprendre et d'expérimenter l'art inhérent d'un vêtement. Des textes captivants rédigés par des universitaires, des scientifiques et des conservateurs révèlent l'histoire de plus de 200 oeuvres de mode tout en abordant leur fragilité et leur caractère éphémère. De nouvelles photographies exceptionnelles de Nick Knight de créations de couturiers et de maisons de design internationaux, dont Cristòbal Balenciaga, Thom Browne, Collina Strada, Christian Dior, Gucci, Charles James, LOEWE, Madame Grès, Thebe Magugu, Maison Margiela, Alexander McQueen, Issey Miyake, Paul Poiret, Yves Saint Laurent, Elsa Schiaparelli, Bea Szenfeld, Philip Treacy, Iris van Herpen, Louis Vuitton et Charles Frederick Worth - approfondit notre appréciation de l'intégrité sensorielle de chaque objet.
During his time as a student at London's Central Saint Martins, Gibraltar-born British fashion designer John Galliano worked as a dresser at the National Theatre, learning the art of costume and the power of illusion. As a regular in London nightclubs, Galliano met a coterie of artists and colorful personalities, forging strong ties with kindred spirits who would play a decisive role in his career - among which Stephen Jones, who would become Dior's milliner.
Following the success of his own brand (founded in 1984,) he was appointed Creative Director of ready-to-wear and haute couture at Givenchy in 1995, before joining Dior in 1996 as Artistic Director of the women's collections. There, he distinguished himself with his extravagant shows that combined eclect...
Articulating eight decades of American style through the emotive language of clothing-from celebrated designers that established the modern legacy of sportswear to emerging creatives shaping the future of fashion in the United States This new presentation of American fashion features a revised vocabulary that emphasizes its expressive qualities. Stunning new photography showcases over 100 garments from the 1940s to the present that offer a timely new perspective on the diverse and multifaceted nature of American fashion. The catalogue features works that display qualities such as belonging, comfort, desire, exuberance, fellowship, joy, nostalgia, optimism, reverence, spontaneity, strength, and sweetness by designers, from the pioneers who established the nation's style to the up-and-coming creatives shaping its future.
In America: A Lexicon of Fashion includes designs by Gilbert Adrian, Geoffrey Beene, Thom Browne, Bonnie Cashin, Willy Chavarria, Telfar Clemens, Dauphinette (Olivia Cheng), Oscar de la Renta, (Fernando Garcia and Laura Kim), Denim Tears (Tremaine Emory), Perry Ellis, Tom Ford, Rudi Gernreich, Halston, Elizabeth Hawes, Carolina Herrera, Conner Ives, Charles James, Donna Karan, KidSuper (Colm Dillane), Calvin Klein Michael Kors, Ralph Lauren, LRS (Raul Solis), Vera Maxwell, Claire McCardell, Norman Norell, Heron Preston, Pyer Moss (Kerby Jean-Raymond), Christopher John Rogers, Collina Strada (Hillary Taymour), Diane von Furstenberg, Vera Wang, and many more.
Anna Sui's trendsetting rock-and-roll looks have made her one of this decade's top five fashion icons (Time). Here, in the first book to cover the entire scope of Sui's twenty-year career, fans get rare access to the designer's creative process. This richly visual retrospective celebrates her influence, from her first show that snared the support of supermodels Naomi Campbell, Linda Evangelista, Christy Turlington, and Kate Moss to the role she's played in making the babydoll dress one of fashion's most iconic silhouettes. With more than 400 photographs from legendary photographers, this exquisite tome-with a shimmering foil-stamped cover-is essential for all fashionistas.
"Men in Skirts" seeks to dispel the myth that the skirt is an exclusively female garment. It looks at outfits inspired by togas, frock coats, dhotis, sarongs and caftans, all items traditionally worn by men.
Cette publication propose une exploration et une étude des nombreux partenariats professionnels à long terme qui ont façonné le monde de la mode. Présentant la vision et la synergie de ces équipes talentueuses, il offre un regard exclusif sur les collaborations dynamiques des partenariats les plus célèbres de la mode.
During his time as a student at London's Central Saint Martins, Gibraltar-born British fashion designer John Galliano worked as a dresser at the National Theatre, learning the art of costume and the power of illusion. As a regular in London nightclubs, Galliano met a coterie of artists and colorful personalities, forging strong ties with kindred spirits who would play a decisive role in his career - among which Stephen Jones, who would become Dior's milliner.
Following the success of his own brand (founded in 1984,) he was appointed Creative Director of ready-to-wear and haute couture at Givenchy in 1995, before joining Dior in 1996 as Artistic Director of the women's collections. There, he distinguished himself with his extravagant shows that combined eclectic historical and cultural inspirations - a global kaleidoscope of references and unbridled inventiveness, imbued with romanticism and history. The designer's sensitivity for haute couture know-how and innate sense of the spectacular has garnered him a reputation as a master of the silhouette.
John Galliano has truly reinvented the art - and the very role - of haute couture, redefining its tropes into a new type of contemporary fashion that combines the influences of his travels - whether real or born of his imagination - and the bountiful heritage of Christian Dior. This book highlights the exceptional silhouettes he created for Dior collection after collection from 1996 to 2011, through his most emblematic models, as photographed by Laziz Hamani, alongside shots by Steven Meisel, Annie Leibovitz, Irving Penn and Paolo Roversi. This singular odyssey is the fifth volume in a new series of books paying tribute to the House's Artistic Directors.
Celebrating the astounding creativity and originality of designer Alexander McQueen, who relentlessly questioned and confronted the requisites of fashion
"An authoritative and moving insight into the legacy of the British designer."-Carola Long, Financial Times
"McQueen's brilliance is celebrated in this sumptuous tome."-Harper's Bazaar
"Excellent."-Huffington Post
Arguably the most influential, imaginative, and provocative designer of his generation, Alexander McQueen both challenged and expanded fashion conventions to express ideas about race, class, sexuality, religion, and the environment. Alexander McQueen: Savage Beauty examines the full breadth of the designer's career, from the start of his fledgling label to the triumphs of his own world-renowned London house. It features his most iconic and radical designs, revealing how McQueen adapted and combined the fundamentals of Savile Row tailoring, the specialized techniques of haute couture, and technological innovation to achieve his distinctive aesthetic. It also focuses on the highly sophisticated narrative structures underpinning his collections and extravagant runway presentations, with their echoes of avant-garde installation and performance art.
Published to coincide with an exhibition at The Metropolitan Museum of Art organized by The Costume Institute, this stunning book includes a preface by Andrew Bolton; an introduction by Susannah Frankel; an interview by Tim Blanks with Sarah Burton, creative director of the house of Alexander McQueen; illuminating quotes from the designer himself; provocative and captivating new photography by renowned photographer Solve Sundsbo; and a lenticular cover by Gary James McQueen.
Published by The Metropolitan Museum of Art/Distributed by Yale University Press
