A monumental new translation—the first in more than twenty years—of Russia’s greatest family drama, rendered with all the passion, humour and soul of the original
The BROTHERS KARAMAZOV - Dostoevsky's most widely read novel - is at once a murder mystery, a mordant comedy of family intrigue, a pioneering work of psychological realism and an unblinking look into the abyss of human suffering.
Fyodor Dostoevsky’s 1866 novel Crime and Punishment, arguably the first modern exploration of psychological realism, is not only a gem of Russian literature but an internationally renowned classic. Now this masterpiece has been vividly transformed by the powerful illustrations of renowned graphic artist Dave McKean, whose multimedia paintings are shrouded with the specters and shadows of Raskolnikov’s fever dreams. Featuring over one hundred full-page paintings, spot illustrations and illuminated letters, and housed in an elaborately die-cut and embossed slipcase, this is an heirloom edition designed as a work of art in its own right. Featuring an introduction by Lonny Harrison. 9x12", 346 pages.
Into a compellingly real portrait of nineteenth-century Russian society, Dostoevsky introduces his ideal hero, the saintly Prince Myshkin. The tensions subsequently unleashed by the hero's innocence, truthfulness, and humility betray the inadequacy of his moral idealism and disclose the spiritual emptiness of a society that cannot accommodate him. Myshkin's mission ends in idiocy and darkness, but it is the world that is rotten, not he. Written under appalling personal circumstances when Dostoevsky was travelling in Europe, The Idiot not only reveals the author's acute artistic sense and penetrating psychological insight, but also affords his most incisive indictment of Russia's struggling to emulate contemporary Europe and sinking under the weight of Western materialism. This new translation by Alan Myers is meticulously faithful to the original and has a critical introduction by W. J. Leatherbarrow. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
A monumental new translation—the first in more than twenty years—of Russia’s greatest family drama, rendered with all the passion, humour and soul of the original
In these stories Dostoevsky explores both the figure of the dreamer divorced from reality and also his own ambiguous attitude to utopianism, themes central to many of his great novels. This new translation captures the power and lyricism of Dostoevsky's writing, while the introduction examines the stories in relation to one another and to his novels.
About Dostoevsky’s Notes from Underground “The novels of Dostoevsky are seething whirlpools, gyrating sandstorms, waterspouts that hiss and boil and suck us in. They are composed purely and wholly of the stuff of the soul. Against our wills we are drawn in, whirled round, blinded, suffocated, and at the same time filled with a giddy rapture. . . . Men are at the same time villains and saints; their acts are at once beautiful and despicable. . . . It is all the same to him whether you are noble or simple, a tramp or a great lady. Whoever you are, you are the vessel of this perplexed liquid, this cloudy, yeasty, precious stuff, the soul.” —Virginia Woolf
“It may seem paradoxical to speak of such insights as liberating, or to find in the Underground Man’s impassioned rejection of rational humanitarianism a call to arms. Yet each age we live through as individuals demands a certain kind of book- just as each era thieves the last with a magpie’s lust for the gewgaws of thought. Oddly enough, now I come to look at Notes again- and examine it in the round- I discover that my revised impression of it as a text at once jejune and cynical, callow as well as wise, is not, perhaps, too far from reality.” -Will Self ““(Dostoevsky)... is the man more than any other who has created modern prose, and intensified it to its present-day pitch.” -James Joyce Notes from the Underground is Fyodor Dostoevsky’s ninth novel, and considered to be one of the first examples of the existential novel. In this radically inventive work, an alienated former minor administrator in nineteenth-century Russia has broken away from society and withdrawn into an underground identity. With its piercing insight into political, social, and moral issues, this classic is one of the most provocative work of literature ever written. In the first half of the novel, the unnamed narrator, a cynical recluse in 1860’s St. Petersburg, attacks the ideologies of inherent laws of self-interest; he is crippled with self-loathing, and bound by his contempt of certain political attitudes of his day. He welcomes any psychic or physical pain in his life as he believe it rails against the complacency of modern society. The second half, entitled “Apropos of the Wet Snow”, the narrator relates his alienated relationships he experiences with others, including old school chums and a prostitute named Liza, who is only demeaned in his misanthropic mind. A singular document of the depravity of human consciousness, this is one of the most powerful pieces of literature ever written. With an eye-catching new cover, and professionally typeset manuscript, this edition of Notes from the Underground is both modern and readable.
