From two-time Pulitzer Prize-winning author Colson Whitehead, a gloriously entertaining novel of heists, shakedowns and rip-offs set in Harlem in the 1960s.
From prize-winning, bestselling author Colson Whitehead, a magnificent, wrenching, thrilling tour de force chronicling a young slave's adventures as she makes a desperate bid for freedom in the antebellum South
From two-time Pulitzer Prize-winning author Colson Whitehead, a gloriously entertaining novel of heists, shakedowns and rip-offs set in Harlem in the 1960s.
From prize-winning, bestselling author Colson Whitehead, a magnificent, wrenching, thrilling tour de force chronicling a young slave's adventures as she makes a desperate bid for freedom in the antebellum South
ONE OF THE MOST ANTICIPATED BOOKS OF THE SUMMER BY OPRAH DAILY, NEW YORK TIMES, WASHINGTON POST, TIME, NPR, LOS ANGELES TIMES, ESSENCE AND MORE
A BBC BEST BOOK OF THE YEAR PICK
'Whether in high literary form or entertaining, page-turner mode, the man is simply incapable of writing a bad book' IAN WILLIAMS, GUARDIAN
'A dazzling treatise . . . gleefully detonates its satire upon this world while getting to the heart of the place and its people' NEW YORK TIMES
'Crook Manifesto gave me something I had missed in recent reading: joy' TELEGRAPH
'A masterpiece' PEOPLE MAGAZINE
From two-time Pulitzer Prize-winning author Colson Whitehead comes the thrilling and entertaining sequel to Harlem Shuffle
1971, New York City. Trash piles up on the streets, crime is at an all-time high, the city is going bankrupt, and a shooting war has broken out between the NYPD and the Black Liberation Army. Furniture store owner and ex-fence Ray Carney is trying to keep his head down, his business up and his life straight. But then he needs Jackson 5 tickets for his daughter May and he decides to hit up an old police contact, who wants favours in return. For Ray, staying out of the game gets a lot more complicated - and deadly.
1973. The old ways are being overthrown by the thriving counterculture, but Pepper, Carney's enduringly violent partner in crime, is a constant. In these difficult times, Pepper takes on a side gig doing security on a Blaxploitation shoot in Harlem, finding himself in a world of Hollywood stars and celebrity drug dealers, in addition to the usual cast of hustlers, mobsters and hit men. These adversaries underestimate the seasoned crook - to their regret.
1976. Harlem is burning, while the country gears up for the Bicentennial. Carney is trying to come up with a celebratory July 4th advertisement he can actually live with, while his wife Elizabeth is campaigning for her childhood friend, rising politician Alexander Oakes. When a fire seriously injures one of Carney's tenants, he enlists Pepper to look into who may be behind it, navigating a crumbling metropolis run by the shady, the violent and the utterly corrupt.
In scalpel-sharp prose and with unnerving clarity and wit, Colson Whitehead writes about a city that runs on cronyism, threats, ego, ambition, incompetence and even, sometimes, pride. Crook Manifesto is a kaleidoscopic portrait of Harlem, and a searching portrait of how families work in the face of chaos and hostility.
'Funny, effortlessly streetwise, and criminally pleasurable to read it's also politically enlightening and quietly incendiary' BIG ISSUE
'When he moves into a new genre, he keeps the bones but does his own decorating' WASHINGTON POST
'Indecently entertaining . . . [Whitehead] is a stylist whose sentences sing' I NEWSPAPER
FROM THE AUTHOR OF THE UNDERGROUND RAILROAD (Now a major Amazon Prime TV show)
'Dazzling' Guardian
'Gloriously entertaining' Evening Standard
'A rich, wild book' New York Times
'Ray Carney was only slightly bent when it came to being crooked...'
To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably-priced furniture, making a life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver's Row don't approve of him or their cramped apartment across from the subway tracks, it's still home.
Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger and bigger all the time.
See, cash is tight, especially with all those instalment plan sofas, so if his cousin Freddie occasionally drops off the odd ring or necklace at the furniture store, Ray doesn't see the need to ask where it comes from. He knows a discreet jeweller downtown who also doesn't ask questions.
Then Freddie falls in with a crew who plan to rob the Hotel Theresa - the 'Waldorf of Harlem' - and volunteers Ray's services as the fence. The heist doesn't go as planned; they rarely do, after all. Now Ray has to cater to a new clientele, one made up of shady cops on the take, vicious minions of the local crime lord, and numerous other Harlem lowlifes.
Thus begins the internal tussle between Ray the striver and Ray the crook. As Ray navigates this double life, he starts to see the truth about who actually pulls the strings in Harlem. Can Ray avoid getting killed, save his cousin, and grab his share of the big score, all while maintaining his reputation as the go-to source for all your quality home furniture needs?
Harlem Shuffle is driven by an ingeniously intricate plot that plays out in a beautifully recreated Harlem of the early 1960s. It's a family saga masquerading as a crime novel, a hilarious morality play, a social novel about race and power, and ultimately a love letter to Harlem.
This New York Times Notable Book from the #1 New York Times bestselling author of The Underground Railroad is a brisk, comic tour de force about identity, history, and the adhesive bandage industry.
The town of Winthrop has decided it needs a new name. The resident software millionaire wants to call it New Prospera; the mayor wants to return to the original choice of the founding black settlers; and the town's aristocracy sees no reason to change the name at all. What they need, they realize, is a nomenclature consultant.
And, it turns out, the consultant needs them. But in a culture overwhelmed by marketing, the name is everything and our hero's efforts may result in not just a new name for the town but a new and subtler truth about it as well.
In a dazzlingly original work of non-fiction, the Pulitzer-Prize winning author of The Underground Railroad recreates the exuberance, the chaos, the promise, and the heartbreak of New York. Here is a literary love song that will entrance anyone who has lived in - or spent time - in the greatest of American cities.
A masterful evocation of the city that never sleeps, The Colossus of New York captures the city's inner and outer landscapes in a series of vignettes, meditations, and personal memories. Colson Whitehead conveys with almost uncanny immediacy the feelings and thoughts of longtime residents and of newcomers who dream of making it their home; of those who have conquered its challenges; and of those who struggle against its cruelties.
Whitehead's style is as multilayered and multifarious as New York itself: Switching from third person, to first person, to second person, he weaves individual voices into a jazzy musical composition that perfectly reflects the way we experience the city. There is a funny, knowing riff on what it feels like to arrive in New York for the first time; a lyrical meditation on how the city is transformed by an unexpected rain shower; and a wry look at the ferocious battle that is commuting. The plaintive notes of the lonely and dispossessed resound in one passage, while another captures those magical moments when the city seems to be talking directly to you, inviting you to become one with its rhythms.
The Colossus of New York is a remarkable portrait of life in the big city. Ambitious in scope, gemlike in its details, it is at once an unparalleled tribute to New York and the ideal introduction to one of the most exciting writers working today.
Author of The Underground Railroad, Colson Whitehead brilliantly dramatizes another strand of American history through the story of two boys sentenced to a hellish reform school in 1960s Florida.
Elwood Curtis has taken the words of Dr Martin Luther King to heart: he is as good as anyone. Abandoned by his parents, brought up by his loving, strict and clear-sighted grandmother, Elwood is about to enroll in the local black college. But given the time and the place, one innocent mistake is enough to destroy his future, and so Elwood arrives at The Nickel Academy, which claims to provide 'physical, intellectual and moral training' which will equip its inmates to become 'honorable and honest men'.
In reality, the Nickel Academy is a chamber of horrors, where physical, emotional and sexual abuse is rife, where corrupt officials and tradesmen do a brisk trade in supplies intended for the school, and where any boy who resists is likely to disappear 'out back'. Stunned to find himself in this vicious environment, Elwood tries to hold on to Dr King's ringing assertion, 'Throw us in jail, and we will still love you.' But Elwood's fellow inmate and new friend Turner thinks Elwood is naive and worse; the world is crooked, and the only way to survive is to emulate the cruelty and cynicism of their oppressors.
The tension between Elwood's idealism and Turner's skepticism leads to a decision which will have decades-long repercussions.
Based on the history of a real reform school in Florida that operated for one hundred and eleven years and warped and destroyed the lives of thousands of children, The Nickel Boys is a devastating, driven narrative by a great American novelist whose work is essential to understanding the current reality of the United States.
'If greatness is excellence sustained over time, then without question, Whitehead is one of the greatest of his generation. In fact, figuring his age, acclaim, productivity and consistency, he is one of the greatest American writers alive' Time
#1 NEW YORK TIMES BESTSELLER AND A NEW YORK TIMES BOOK OF THE YEAR
SHORTLISTED FOR THE ARTHUR C. CLARKE AWARD
'Whitehead is on a roll: the reviews have been sublime' Guardian
'Luminous, furious, wildly inventive' Observer
'Hands down one of the best, if not the best, book I've read this year' Stylist
'Dazzling' New York Review of Books
Praised by Barack Obama and an Oprah Book Club Pick, The Underground Railroad by Colson Whitehead won the National Book Award 2016.
Cora is a slave on a cotton plantation in Georgia. All the slaves lead a hellish existence, but Cora has it worse than most; she is an outcast even among her fellow Africans and she is approaching womanhood, where it is clear even greater pain awaits. When Caesar, a slave recently arrived from Virginia, tells her about the Underground Railroad, they take the perilous decision to escape to the North.
In Whitehead's razor-sharp imagining of the antebellum South, the Underground Railroad has assumed a physical form: a dilapidated box car pulled along subterranean tracks by a steam locomotive, picking up fugitives wherever it can. Cora and Caesar's first stop is South Carolina, in a city that initially seems like a haven. But its placid surface masks an infernal scheme designed for its unknowing black inhabitants. And even worse: Ridgeway, the relentless slave catcher sent to find Cora, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.
At each stop on her journey, Cora encounters a different world. As Whitehead brilliantly recreates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America, from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once the story of one woman's ferocious will to escape the horrors of bondage and a shatteringly powerful meditation on history.
