‘Miraculous . . . tender, hilarious and ultimately uplifting. A ray of hope’ Paul Murray, Irish Times
Once upon a time, not very far from now, two children come home to find a line of wet red paint round the outside of their house . . .
So begins the freewheeling and urgent new novel from Ali Smith – the story of two young people and a horse called Gliff, on the run from history as it takes a turn for the worse.
‘A voice that moves with lightness and precision, where bravery and goodness triumph in spirit over jeopardy and fear’ Financial Times
‘One of Smith’s most propulsive stories – a dark adventure with high stakes, which is still a sparklingly crisp read. A new Ali Smith book is always an event’ Holly Williams, i
‘Ali Smith’s marvellous Gliff considers the complexities of our present moment and the thorny, bridling potential of possible futures with wit, care and craft. A masterpiece of storytelling about storytelling, exploring the delighting, dangerous power of language and connectivity’ Eley Williams
Edvard Munch Portraits brings together 80 of Munch’s most significant portraits, showcasing the wide array of styles, techniques and mediums that he employed.
Edvard Munch (1863 – 1944) is widely regarded as one of the great artists of the nineteenth and twentieth centuries. Although he was lesser known for portraiture, his portraits were central to his art and vision. During the course of his long life he made hundreds of portraits of friends, patrons, models and above all himself, in a range of media that encompassed painting, drawing and print.
Edvard Munch Portraits explores the range of portraits Munch created during his lifetime, and by placing his work in the cultural and historical background of his period, provides readers with a greater understanding of the time in which his works were produced. This publication gives deep insight into the artist's family and bohemian social circles, along with his German and Norwegian patrons and the friends who helped establish his reputation.
Stanisław Wyspiański is widely regarded as Poland’s greatest artist and as the founder of modern Polish drama.
Stanisław Wyspiański (1869–1907), is widely regarded as Poland’s greatest artist whose work is just beginning to be appreciated outside of Central Europe. Best known as the founder of modern Polish drama, he was also an artist and applied arts designer. During his short career he made a number of striking portraits in pastel of his family and and contemporary Cracovians which collectively provide a fascinating insight into the cultural life of a nation under partition and striving for independence.
This illustrated publication showcases 70 of Wyspiański’s portraits. Full of colour and vitality, his works draw on indigenous folk traditions, but are executed in a progressive expressive style influenced by the years Wyspiański spent in Paris, and epitomise the ideals and aspirations of the Young Poland movement with which he is closely associated.
Everything you need to know to sew your own clothes and home furnishings.
Demystify your sewing machine and get to grips with essential techniques with The Sewing Book. This bestselling guide covers over 300 techniques with illustrated step-by-step sequences, showing you how to create everything from seams and hems to darts, gathers, and collars.
Discover how to read a pattern and adapt designs to suit your measurements, get to grips with tools and materials, and find the best fabrics to suit whatever you want to make.
Complete with ten homeware and clothing projects to help you put your new-found skills to the test, The Sewing Book shows you everything you need to know, stitch by stitch.
In Ali Smith’s So in the Spruce Forest, the author’s deceased mother returns as a persistent voice, intent on sharing with her daughter insights into Edvard Munch.
Tracing the surge in creativity and transformations in culture and the arts during one of history’s most tumultuous decades
Boom: Art and Design in the 1940s looks at the complex shifts in technology and the arts, including music, film, and fashion, that surged in a tumultuous decade. Despite restrictions and hardships, the visual arts flourished, with some artists addressing political concerns in their work and others moving into abstraction. War disrupted the fashion industry in Paris, allowing New York to become a competitive center. Furniture design made creative use of technological advances. The movement of artists during the war years and afterward catalyzed the exchange of ideas and created more diverse artistic communities.
Essays by leading figures in their respective fields show how wartime restrictions impacted world economies and the innovative solutions found by creative communities, examine Hollywood of the 1940s and its ability to unite international audiences, explore the ways clothing and textiles were shaped by the rapid changes of the era, and discuss how musicians played a vital role at this moment in history and helped shape the sounds of today. Interviews with contemporary figures, such as jazz artist Christian McBride and filmmaker Ken Burns, reflect on the impact of the 1940s on their respective fields. Including paintings by Lee Krasner, Horace Pippin, and Jackson Pollock, photographs by Margaret Bourke-White and Weegee, furniture by George Nakashima, jewelry by Alexander Calder, poetry by Anna Akhmatova, and apparel by Elsa Schiaparelli, the book covers the transformational responses to a volatile time across the spectrum of artistic practice.
Distributed for the Philadelphia Museum of Art
Exhibition Schedule:
Philadelphia Museum of Art
(April 12–September 1, 2025)
A captivating blend of cutting-edge scientific evidence and real-world stories providing leaders and managers with proven and practical strategies and tools for navigating today's emotionally taxing workplace. Broad changes have dramatically disrupted our workplaces and increased the emotional demands on leaders everywhere. Leaders now must support their teams' mental health and burnout (while managing their own), build trust with and motivate a remote and diverse workforce, allay employee fears of obsolescence while driving the integration of new technologies like AI, and demonstrate bottomless sensitivity and compassion while still delivering results at a relentless pace. No wonder leaders are burning out. Emotional labor is a daily unrecognized burden leaders carry and can have significant costs for their health and performance over time. However, achieving high performance and fulfillment without compromising your well-being is possible, and Emotionally Charged shows you how. Dina Denham Smith and Alicia A. Grandey debunk myths and equip you to handle emotionally loaded work events, from preparing for high-stakes scenarios to managing curveballs and conflicts, supporting distressed employees, and recovering effectively after being drained at work. Blending real-world cases from leaders and evidence-based insights, Emotionally Charged will help all leaders--from front-line managers to C-Suite execs--manage the new work landscape. Anchored in the science of emotions, Emotionally Charged will equip you with practical strategies and tools to lead successfully and thrive in the new age of work.
This volume brings together feminist reflections on the transnational lives of memorializations to colonial, imperial, militarized, and state violence. It asks what’s at stake in memorializing amidst and against ongoing harm and injustice produced by white supremacist global capitalist empire.
Once upon a time not very far from now, two children come home to find a line of wet red paint encircling the outside of their house.
What does it mean?
It’s a truism of our time that it’ll be the next generation who’ll sort out our increasingly toxic world.
What would that actually be like?
In a state turned hostile, a world of insiders and outsiders, what things of the past can sustain them and what shape can resistance take?
And what’s a horse got to do with any of this?
Gliff is a novel about how we make meaning and how we are made meaningless. With a nod to the traditions of dystopian fiction, a glance at the Kafkaesque, and a new take on the notion of classic, it's a moving and electrifying read, a vital and prescient tale of the versatility and variety deep-rooted in language, in nature and in human nature.
'As always, Ali’s inventiveness and intelligence lit fireworks in my mind. Gliff is an irresistible invitation to rethink and reword our way to a truly brave new world' Michelle de Kretser
